Little voices and big spaces: animated documentary and conceptual blending theory
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Abstract
The encounter between documentary film and animation is not a new
phenomenon, but in the last two decades it has become an increasingly
frequent one: the inclusion of animated sequences in documentaries is
now common practice, and animated films no longer focus solely on imaginary
worlds but have also begun to depict the real world.1 However, this
encounter is not an easy one, as Anabelle Honess Roe points out
Palabras clave
Big spaces; Animated documentaryLink to resource
https://doi.org/10.1007/978-3-319-90332-3_3Collections
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