Qualifying heritage through postcolonial moments

dc.creatorBrichet, Nathalia
dc.date.accessioned2021-04-07T19:33:22Z
dc.date.available2021-04-07T19:33:22Z
dc.date.created2018
dc.description.abstract‘With the exhibition in the main building the aim was to show similarities as well as differences between the African enslaved workers and the Danish masters, and this was done by telling stories about the working and leisure life of both parties at the plantation.’1 Written jointly by most of the Danes involved in the Frederiksgave project, this quote informs us of the thoughts behind the exhibition set up in the newly reconstructed buildings. It shows how a dual figure of similarity and difference was used for structuring the exhibition at the Frederiksgave site. Moving on from the previous chapters’ exploration of the project design, architectural drawings, tools, materials and values, I now turn to the life of the ‘finished’ exhibition and plantation site of Frederiksgave.spa
dc.format.extent49 páginasspa
dc.format.mimetypeapplication/pdfspa
dc.identifier.doi10.1353/book.81375
dc.identifier.otherhttps://directory.doabooks.org/handle/20.500.12854/64373
dc.identifier.urihttps://hdl.handle.net/20.500.12010/18538
dc.language.isoengspa
dc.publisherMattering Pressspa
dc.rights.accessrightsinfo:eu-repo/semantics/openAccessspa
dc.rights.creativecommonshttps://creativecommons.org/licenses/by-nc-sa/4.0/
dc.rights.localAbierto (Texto Completo)spa
dc.subjectAnthropologyspa
dc.subject.lembAntropologíaspa
dc.subject.lembColonizaciónspa
dc.subject.lembImperialismospa
dc.titleQualifying heritage through postcolonial momentsspa
dc.type.coarhttp://purl.org/coar/resource_type/c_3248spa

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