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dc.coverage.spatialColombiaspa
dc.creatorConde Aldana, Juan Alberto
dc.date.accessioned2020-04-21T16:52:38Z
dc.date.available2020-04-21T16:52:38Z
dc.date.created2018
dc.identifier.otherhttps://doi.org/10.1007/978-3-319-90332-3_3
dc.identifier.urihttp://hdl.handle.net/20.500.12010/8896
dc.description.abstractThe encounter between documentary film and animation is not a new phenomenon, but in the last two decades it has become an increasingly frequent one: the inclusion of animated sequences in documentaries is now common practice, and animated films no longer focus solely on imaginary worlds but have also begun to depict the real world.1 However, this encounter is not an easy one, as Anabelle Honess Roe points outspa
dc.format.extent18 páginasspa
dc.format.mimetypeimage/jepgspa
dc.publisherUniversidad de Bogotá Jorge Tadeo Lozanospa
dc.subjectBig spacesspa
dc.subjectAnimated documentaryspa
dc.titleLittle voices and big spaces: animated documentary and conceptual blending theoryspa
dc.type.localArtículospa
dc.subject.lembAnimación (Cinematografía)spa
dc.subject.lembDocumentaciónspa
dc.rights.accessrightsinfo:eu-repo/semantics/openAccessspa
dc.type.hasversioninfo:eu-repo/semantics/acceptedVersionspa
dc.rights.localAbierto (Texto Completo)spa
dc.identifier.doihttps://doi.org/10.1007/978-3-319-90332-3_3
dc.identifier.instnameinstname:Universidad de Bogotá Jorge Tadeo Lozanospa
dc.identifier.reponamereponame:Repositorio Institucional de la Universidad de Bogotá Jorge Tadeo Lozanospa


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