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dc.creatorRadicchi, Antonella
dc.date.accessioned2021-02-19T22:01:03Z
dc.date.available2021-02-19T22:01:03Z
dc.date.created2012
dc.identifier.isbn978-88-665-5278-9
dc.identifier.otherhttps://media.fupress.com/files/pdf/24/2433/5546
dc.identifier.urihttp://hdl.handle.net/20.500.12010/17536
dc.format.extent150 páginasspa
dc.format.mimetypeapplication/pdfspa
dc.language.isoengspa
dc.publisherFirenze University Pressspa
dc.subjectArquitecturaspa
dc.titleSull’immagine sonora della cittàspa
dc.subject.lembCiudad contemporáneaspa
dc.subject.lembUrbanismospa
dc.subject.lembUrbanismo sensorialspa
dc.rights.accessrightsinfo:eu-repo/semantics/openAccessspa
dc.rights.localAbierto (Texto Completo)spa
dc.identifier.doi10.36253/978-88-6655-278-9
dc.description.abstractenglishThe dissertation deals with the contemporary city soundscape and fits into the disciplinary field of sensuous urbanism, soundscape studies and emotional geography. The key term, <i>soundscape</i>, is to be understood as all the sounds that surround us, as a perceptual theme, that is, object of a subject's perception, in its sense of 'landscape' including the metaphorical meaning of an emotional or mnemonic emotional soundscape. The dissertation is structured in two parts: the first and second chapters define the disciplinary spheres of sensory urbanism and soundscape studies, while the third and fourth chapters explore the forms that classical sound environment analysis and planning tools take on within the aforesaid disciplinary fields. Finally, the conclusions give a methodological indication aimed at favouring the integration of soundscape studies within the town planning discipline, and propose «tender sound map» and «sound niche» operating tools to help achieve the goal of planning the contemporary city's physical and sound spaces at the same time.spa
dc.type.coarhttp://purl.org/coar/resource_type/c_2f33spa
dc.rights.creativecommonshttps://creativecommons.org/licenses/by/4.0/legalcode


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