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dc.contributor.advisorSharman, Lindsey V.
dc.date.accessioned2020-11-13T19:40:22Z
dc.date.available2020-11-13T19:40:22Z
dc.date.created2017
dc.identifier.isbn978-1-55238-951-5
dc.identifier.otherhttps://www.jstor.org/stable/j.ctv6gqrzp
dc.identifier.urihttp://hdl.handle.net/20.500.12010/15704
dc.description.abstractThis publication was largely written and compiled on the traditional territories of the Blackfoot and the people of the Treaty 7 region of Southern Alberta. The works illustrated are drawn primarily from collections, both public and private, on this same land which includes the Siksika, the Piikuni, the Kainai, the Tsuu T’ina and the Stoney Nakoda First Nations. Dr. Joane Cardinal-Schubert, RCA affirmed herself as “Blackfoot-Blood” or Kainai. Cardinal-Schubert introduced herself and her work succinctly and aptly in Loretta Todd’s film, Hands of History by simply stating, “I am Joane Cardinal-Schubert – and I play a lot.”spa
dc.format.extent196 páginasspa
dc.format.mimetypeapplication/pdfspa
dc.language.isoengspa
dc.publisherUniversity of Calgary Pressspa
dc.subjectJoane Cardinal-Schubertspa
dc.titleThe writing on the wall : the work of Joane Cardinal-Schubertspa
dc.subject.lembCardinal-Schubert, Joane, 1942–2009spa
dc.subject.lembPintores -- Canadá -- Biografíasspa
dc.subject.lembPintores canadiensesspa
dc.rights.accessrightsinfo:eu-repo/semantics/openAccessspa
dc.rights.localAbierto (Texto Completo)spa
dc.identifier.doihttps://doi.org/10.2307/j.ctv6gqrzp
dc.type.coarhttp://purl.org/coar/resource_type/c_2f33spa
dc.rights.creativecommonshttps://creativecommons.org/licenses/by-nc-nd/4.0/


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