dc.contributor.advisor | Sharman, Lindsey V. | |
dc.date.accessioned | 2020-11-13T19:40:22Z | |
dc.date.available | 2020-11-13T19:40:22Z | |
dc.date.created | 2017 | |
dc.identifier.isbn | 978-1-55238-951-5 | |
dc.identifier.uri | http://hdl.handle.net/20.500.12010/15704 | |
dc.description.abstract | This publication was largely written and compiled on the traditional territories of the
Blackfoot and the people of the Treaty 7 region of Southern Alberta. The works illustrated
are drawn primarily from collections, both public and private, on this same land which
includes the Siksika, the Piikuni, the Kainai, the Tsuu T’ina and the Stoney Nakoda
First Nations. Dr. Joane Cardinal-Schubert, RCA affirmed herself as “Blackfoot-Blood”
or Kainai. Cardinal-Schubert introduced herself and her work succinctly and aptly in
Loretta Todd’s film, Hands of History by simply stating, “I am Joane Cardinal-Schubert
– and I play a lot.” | spa |
dc.format.extent | 196 páginas | spa |
dc.format.mimetype | application/pdf | spa |
dc.language.iso | eng | spa |
dc.publisher | University of Calgary Press | spa |
dc.subject | Joane Cardinal-Schubert | spa |
dc.title | The writing on the wall : the work of Joane Cardinal-Schubert | spa |
dc.subject.lemb | Cardinal-Schubert, Joane, 1942–2009 | spa |
dc.subject.lemb | Pintores -- Canadá -- Biografías | spa |
dc.subject.lemb | Pintores canadienses | spa |
dc.rights.accessrights | info:eu-repo/semantics/openAccess | spa |
dc.rights.local | Abierto (Texto Completo) | spa |
dc.type.coar | http://purl.org/coar/resource_type/c_2f33 | spa |