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dc.creatorPurcar, Cristina
dc.date.accessioned2020-11-13T16:47:13Z
dc.date.available2020-11-13T16:47:13Z
dc.date.created2019
dc.identifier.isbn978 94 6166 283 5
dc.identifier.otherhttps://library.oapen.org/bitstream/handle/20.500.12657/25025/Chapter06.pdf?sequence=1
dc.identifier.urihttp://hdl.handle.net/20.500.12010/15696
dc.description.abstract‘An idea, not a thing,’ landscape is the cultural perception of the physical environ- ment, ‘created by our minds and emotions’ (Clark et al. 2003: 3). The environment as physical place and the landscape as culturally determined perception and representation of the physical place, therefore, form a complex unity. Among the different representations of the environment (or landscape-construction means), cartography and statistics are allegedly more objective, while photography, painting, and literature provide rather subjective readings. Through mapping, contemporary geo-positioned data-management tools allow for a multi-layered relatedness between these two components of landscape.spa
dc.format.extent27 páginasspa
dc.format.mimetypeapplication/pdfspa
dc.language.isoengspa
dc.publisherLeuven University Pressspa
dc.subjectPhotography,spa
dc.subjectRailways and landscapespa
dc.titlePhotography, railways and landscape in Transylvania, Romania : case studies in digital humanitiesspa
dc.subject.lembArquitectura del paisajespa
dc.subject.lembPaisajismospa
dc.subject.lembFotografía de ferrocarrilesspa
dc.rights.accessrightsinfo:eu-repo/semantics/openAccessspa
dc.rights.localAbierto (Texto Completo)spa
dc.identifier.doihttps://doi.org/10.11116/9789461662835
dc.identifier.doi10.2307/j.ctvjsf4w6
dc.type.coarhttp://purl.org/coar/resource_type/c_3248spa
dc.rights.creativecommonshttp://creativecommons.org/licenses/by-nc-nd/4.0/


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